Godzilla x Kong is part wrestling, part gymnastics

You’ve heard the age-old adage: It’s about the journey, not the destination. Godzilla x Kong: The New Empire banks on the opposite being true. It’s an exercise in reverse-engineering, taking a few key end points and mapping out a plot that could possibly get us there. We want a shot of Godzilla and Kong side-by-side and flying through the air in slow-mo while trying to punch an enemy – how do we do that? We want Kong to have a cool mecha-arm – why does he have it? Godzilla should be pink! But how? 

But how? For a movie about prehistoric creatures prancing around the Earth’s crust like it’s the interior of a wrestling ring, it’s a question Godzilla x Kong is surprisingly concerned with.

DRIVE-AWAY DOLLS needs to turn up the volume

The Farrelly brothers, The Safdie Brothers, The Wachowski sisters – there’s no shortage of sibling director duos who have parted ways, either permanently or temporarily, to experiment on solo works. The Coen brothers joined their ranks with Joel Coen’s solo-directed film The Tragedy of Macbeth in 2021. If The Tragedy of Macbeth might have given any clue as to who the “serious one” of the duo was, Ethan Coen’s Drive-Away Dolls seems designed to give an equally emphatic answer as to the source of the duo’s comedic chops.

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